For various reasons, picture-taking is not allowed inside the museum, so I can only put up pictures of the outside. The inside was incredible, though. One of the museum`s charter goals is to recreate the feeling of wonder that makes the Ghibli movies so special, and it does it admirably. The museum is organic with hidden passageways, great attention to detail, and surprises everywhere. You step inside and can feel the magic making you a care-free kid again.
Here`s the outside entrance to the roof-garden.
...and Laura and I with the friend we`d seen earlier. The museum designers made him life-sized, the same as in the movie.
It was a beautiful rooftop garden, and I loved the statue`s details-- yes, that is real grass growing on it!
Beautiful flowers around the paths, too.
And a Laputa-box hidden away in a corner....
...with intricate Laputan writing scrawled on top!
Some parts of the museum`s exterior seemed to be part of the very landscape.
...other parts resembled buildings from Studio Ghibli movies.
...and I loved this open staircase, which let in a bunch of light.
In other travels-- I finally got to Shinjuku! ...and discovered that the train/subway station is a huge pain. You`ve really got to pay attention to where you`re going and leave from the correct exit... going from one side of the station to the other can be quite tricky.
Laura and I also went to see a short kabuki production. It wasn`t a full-length play, rather a "Beginner Guide`s Introduction to Kabuki." There was an introduction by the 2 lead actors, which included a short history of kabuki and explanation of the stage, with demonstrations of how parts of the stage can be raised or lowered or turned (there was a wicked-cool central circle which could spin!). Luckily, there were English-language headsets available translating everything they said; some of the kabuki terms were quite technical.
It was my first time seeing kabuki, and I`m glad we got the explanation first. There was also a short film showing the actors getting into make-up and costume (quite a production for the guy playing the lead female role... as with most traditional Japanese theatrical forms, women aren`t allowed on stage).
Of course I wasn`t allowed to take pictures of the performance, but there was a decked-out mannequin in the lobby area that I got a few pictures of. This character didn`t appear in the short play we saw, but it may give you an idea of what kabuki can look like:
Serious, serious wig.
I wanted to feast my eyes and tastebuds in Tokyo, given that I`d be going back to Tsushima afterwards. And my trusty guidebook delivered with its entry for the "100% Chocolate Cafe." Yes, that is its real name. We went on July 4th and, aside from our order, got complimentary samples of the flavor-of-the-day: Honey Banana. Yum!
Next stop: Harajuku on a Sunday morning! My guidebook had said that people dressed up in cosplay and hung around Harajuku during that time. It neglected to mention that they don`t like people taking pictures of them-- hate it, in fact-- and just want to be left alone. I did get a better idea of the `crush` of people in busy sections of Tokyo, though, from this random side-street.
Seriously, there was nothing special going on-- this was just a normal Sunday in Harajuku! ...blew the socks off of this country girl.
And, finally, I met up with U.B. and company (C and P) at the hotel. They were all rather understandably jet-lagged during our time in Tokyo and opted for rest over running about.
At one point, we went up a really tall government building near out hotel in Shinjuku. It sported great panoramic views of the city--
Here`s a nearby park, which seems to have sprouted up between the skyscrapers.
I loved this rooftop tennis court ^^
Oh, and U.B. mentioned that he knew this building, the New City Hotel in Shinjuku, from a book that he`d read (specifics, please? ^^)
In comparison with the Mt. Fuji and Kyoto parts of our trip, Tokyo was just a stopping and meeting point. I had an awesome time running around the city with Laura, though-- the Studio Ghibli museum and kabuki were great!
4 comments:
The art deco sign and checkerboard window facade of the New City Hotel always made me think that William Gibson might have borrow part of the name for his story "New Rose Hotel," although in his store, the "New Rose Hotel is a coffin rack on the ragged fringes of Narita International. Plastic capsules a meter high and three long, stacked like surplus Godzilla teeth in a concrete lot off the main road to the airport. Each capsule has a television mounted flush with the ceiling. I spend whole days watching Japanese game shows and old movies. Sometimes I have your gun in my hand." Needless to say, there is no New Rose Hotel near Narita.
Let's try that again, without typos:
The art deco sign and checkerboard window facade of the New City Hotel always made me think that William Gibson might have borrowed part of the name for his story "New Rose Hotel," although in his story, the "New Rose Hotel is a coffin rack on the ragged fringes of Narita International. Plastic capsules a meter high and three long, stacked like surplus Godzilla teeth in a concrete lot off the main road to the airport. Each capsule has a television mounted flush with the ceiling. I spend whole days watching Japanese game shows and old movies. Sometimes I have your gun in my hand." Needless to say, there is no New Rose Hotel near Narita.
Yes, you definitely need to leave the dressed up people near Yoyogi Park alone. I always liked going there for a walk on the weekend though.
Watch out for the Elvis impersonating gangs if you go there again. You can take pictures of them if you are sneaky but my coworkers said some of them might be dangerous guys.
-DJ
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